Category Archives: Film & Media Analysis

Film can project an ideology. When we look at the portrayal of women in the Hollywood melodrama, the ideology is that of the American Dream as a means to comment on the bourgeois lifestyle, whereby messages or critiques are apparent in the melodrama with exaggerated actions – co-modification of culture, family under influence of capitalism – and women are faced by a contradiction that if they follow their dreams, they will be punished.

This material can be presented as a 60, 90 or 120-minute lecture or as a series of classes comprised of lecture paired with screenings of related films.

Celebrity Bios for GLAAD Awards

Celebrity bios for the 15th annual GLAAD media located here

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Hollywood and the Holocaust

An initial viewing of “Life is Beautiful” (1998) may prompt an attitude that the film makes mockery of the Holocaust through the telling of a father-son tragicomedy. This is a naïve response. Life is Beautiful is neither a mockery nor … Continue reading

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Globalization

Frank Rich legitimizes the porn industry as a player in the Hollywood entertainment industry without coming across as authoritative or defensive and without glorifying the industry in any way. His thoughtful observances prove that size does matter as it’s the … Continue reading

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Far from Heaven

The American melodrama, made popular in the 1950s is revisited in Todd Haynes’ 2002 film “Far From Heaven”.  Haynes employs many of the stylistic features and conventions common to the melodramas of Douglas Sirk to successfully create an adaptation that … Continue reading

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Representation of Girl Culture in Film & T.V.

Females 18-25; It’s a powerful demographic. Their malleable personalities make them a prime target for people of influence who at every turn are telling them how to live their lives and how to spend their money. More so than in … Continue reading

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Alternative Tradition in Crime Films

This question deals with the alternative tradition in crime films.  Rafter discusses this type of crime film within those films dealing with cops, with courtroom drama, and with prison/execution films.  What are the hallmarks of alternative tradition films? For something to … Continue reading

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Heroes in Crime Films

The central concept I want you to address in this essay is the whole notion of heroes in crime films.  Rafter indicates that Bonnie and Clyde are sort of anti-heroes, and one of our reviews discussed a lack of heroes … Continue reading

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Anatomy of a Murder Critique

When “Anatomy of a Murder” was released in 1959, the New York Times titled it “A Court Classic” but their film critic Bosley Crowther wasn’t quite able to classify it. Was the film a melodrama? A character study? Or just … Continue reading

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Dolores Claiborne Essay

Animal instinct. The will to survive. We all have it. In the film “Dolores Claiborne”, the three key female characters express self-preservation instincts as means to preserve their respective existence in response to domestic violence victimization. Dolores Claiborne is the … Continue reading

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Taxi Driver and Lolita: A Double Feature

I’ve seen “Taxi Driver” as well as both of the “Lolita” films, so was excited to find Siegel’s article through my research. With an academic interest in how film shapes belief systems and defines (or redefines) cultural norms, Siegel’s article … Continue reading

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